The festival is a celebration and exploration, not just of Jane Austen’s novels, but of the culture of her time. As well as dedicated sessions on Austen’s work, there are sessions on music, dance, costume, food, theatre and men’s military history. Top presenters from around the country will offer a variety of talks, as well as hands-on sewing workshops, feet-on-floor dance workshop, and panels inviting audience participation. Though casual dress is fine, there’s lots of opportunity to costume-up for outdoor promenades, evening dinners and balls.
In an age when popular culture would have us believe that anything before DVDs is ancient history, that it’s only other people who have a cultural heritage, and that its more important to be outrageous, groundbreaking and cool than considerate, accomplished or gentle, many are discovering the satisfaction that can be had by better understanding the past and bringing forward from it elements that appeal.
In this regard, the age of Jane Austen has proved particularly attractive to modern day young men and women. Whereas the fashions of the 18th and late 19th century might seem weird or cruel, those high-waisted gowns and squire-like tails from Jane Austen’s age (the first decades of the 19th century) seem romantic and elegant. Where the social order of the 18th century seems alien, and that of the late 19th century torn and sooted by the industrial revolution, that of Austen’s years seems more egalitarian. Where the dancing of the 18th century is imagined to be courtly and stiff, and that of the late 19th century to be black-tie and formal, that of the Austen’s day seems to be just plain fun. The age’s accessibility is further enhanced, of course, by the timeless themes, engaging characters, involving plots and good humour of Jane Austen’s novels, and by the many recent screen adaptations of those novels.
One of the main interests of Jane Austen’s day, and indeed of Jane Austen herself, was dancing, and dance workshops and balls will fill the main hall, all day, every day of the festival. Dance teacher and historian Dr John Gardiner-Garden makes joining in and learning easy and fun, and participants soon realise why it is observed in Pride and Prejudice, that ‘To be fond of dancing was a certain step towards falling in love’, why it is noted in Persuasion that ‘thirteen winters’ revolving frosts had seen [Elizabeth] opening every ball of credit which a scanty neighborhood afforded’, and why in Northanger Abbey —our feature novel for the 2011 Festival— Catherine Morland’s clever dance partner Mr Tilney says: ‘I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principle duties of both; and those men who do not chuse to dance or marry themselves, have no business with the partners or wives of their neighbours’.
Festival participants’ first taste of Regency era dance invariably leaves them wanting more, just as it is remarked in Emma that: ‘It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind; - but when a beginning is made - when the felicities of rapid motion have once been, though slightly, felt - it must be a very heavy set that does not ask for more.’
The 2011 Jane Austen Festival runs form 14-17 April. Full program and presenter details are available at www.janeaustenfestival.com.au, where tickets can also be booked.
For those that want more either side of the festival, consider the Historic Costume & Design Week, 11-14 April, 9am-3pm each day in Yarralumla, during which you can make a regency era bonnet (see www.janeaustenfestival.com.au for more information) or consider the 19th Century Dance Week, 18-21 April, 9-5pm each day (see www.earthlydelights.com.au/victorian2.htm for more information)
For more information on any of the above phone Aylwen or John Gardiner-Garden on (02) 6281 1098 or 0409 817623. Dancing in Jane Austen’s shoes by Aylwen Gardiner-Garden.